On January 14, in recent years, along with the family economic level, annatto furniture more and more into the ordinary people home. Someone collect annatto earn rich indeed, but some huge losses.
Burma hua limu with Africa to spend pear price disparity big loss of one million
Reported according to "train" of the people's livelihood, lee calls this morning said oneself listen to merchants story and a slip in Burma hua limu bought African rosewood, the price of the difference between a whopping 8, 9 times, loss of millions of the deal that Mr Li.
Mr Li told reporters that a few years ago his office to decorate, in a fair took a fancy to a sea of furniture enterprises, high-tech zone remit wood industry company processing of annatto furniture.
After a bargain, Mr Li was there and collect sea wood industry company director jiang manager to sign the purchase contract, in accordance with the prices of Burma hua limu, made a set of values of daily office furniture.
Mr Li said, annatto furniture also didn't find any problem after carried into the office, so he gave his home also ordered hundreds of thousands of furniture.
Before and after the sea wood industry company in the end, Mr Lee's remit total bought more than 180 of annatto furniture, oil painting can who think the world is not meant to: before long, Mr. Li smell a foul smell, drawer and African rosewood will have this kind of smell.
Found the problem, Mr. Li went down samples from buying their own furniture, specifically to Beijing to find the wooden furniture industry testing authority, the identification of the own furniture material, to get the report after the surprise him.
Detect the report shows, mr.li buying furniture drawer board, have no smell, not rosewood in Burma.
The disparity between the price of myanmar rosewood with Africa to spend pear is very big, the furniture let li lost millions.
In recent years, along with annatto investment collection growing, annatto furniture also once become investment of choice for consumers the value, but at the same time, many illegal businessmen will fraud "hand" to this field.
Annatto furniture is expensive and difficult to distinguish true and false gullible
Rich home is located in the provincial capital jinan north park avenue, specializes in annatto furniture. Enter the market, the reporter sees every store decorated gorgeously, in-store lights were blazing and glamorous expensive display furniture also is inside.
A set of dyu rosewood chairs and tables, cost up to five hundred and ninety-eight thousand.
Sales staff said that dyu rosewood is black acid is in the best in the mahogany, the price is expensive, and absolute guarantee of their furniture paint, no color, absolute guarantee as well.
False material, waste, substitute one oil painting reproductions thing for another is not all rosewood mahogany
Sales staff told reporters that in the annatto furniture industry, with other impersonating annatto timber materials, the texture of similar species with annatto raw material, and then coloring, polishing, and some manufacturers profit method.
Then the reporter comes to rich household across east Asia, furniture of annatto furniture stores, on the fourth floor found here the annatto furniture price is generally cheaper than rich elegant home.
A pure myanmar spend pear sofa tea table 4 times only sell fifty-three thousand, price is cheap, so it is really?
Sales people the truth, the real myanmar spend pear is absolutely can't so cheap, are generally high spend pear imitation in myanmar.
Low consumption, high grade enjoy, but that is again beautiful thing; Use 10 yuan to buy 100 dollars worth of thing, nature is also a good thing. But the reality is often disappointing, is often you think you take advantage of the on the surface, and the inner is likely to have eaten big losses.
Chrysanthemum pear price on the market at present the high is known to all. In annatto market, huang hua limu rare degree after rosewood, belongs to the very rare natural resources.
Hainan chrysanthemum pear or Vietnam and Burma chrysanthemum pear, huanghua pear with rose wood prices soaring, many undesirable businessman selling some fake chrysanthemum pear to deceive consumers, a bit not careful will be cheated.
Myanmar spend pear belongs to the annatto furniture of fine material, and through the survey of annatto market, the reporter understands not all rosewood mahogany.
Don't let a fraud ruined pear flower
One of the most controversial is called a hedgehog painting Africa to spend pear of red sandalwood.
The rich of the household, traders said, due to Africa to spend pear do not belong to the national standard of annatto, so it is not allowed to enter in their market.
And with the rich elegant household furniture store, all the way across the shandong east Asia but businesses to Africa to spend pear as the main mahogany products.
The sales staff said they nan GuiXuan annatto shop main red sandalwood is a hedgehog, but the real hedgehog rosewood from the color, decorative pattern is similar to chrysanthemum pear, alternaria alternata in tropical Africa, especially a hedgehog red sandalwood tree species, is one of the redwood gb 33 species inside .
Sunday, February 26, 2017
Thursday, February 23, 2017
Netherlands is one of the most famous little techniques in Holland. Only thirty or forty vermeer painting spread all over the world
Johannes Vermeer (Johannes Vermeer, 1632-1675), born in del delft, the Netherlands is one of the most famous little techniques in Holland. Only thirty or forty vermeer painting spread all over the world, it is a very small number for any artist, so it was not until the 19th century, vermeer paintings began to famous.
Johannes vermeer painting technique is very unique, almost like photography, when the cloud of light and people around is very vivid. Beginning is generally accepted that vermeer painting is by means of the mirror, and other visual tools, it can be said that vermeer is first photography method of depicting vividly realistic painter. Vermeer paintings do have a feeling of photography, as if through the lens can see all kinds of distortion, different angles and the isolation of the light. Vermeer use camera obscura projection transfer objects onto the canvas, he watched the object from the camera or object directly write by looking at the mirror. Vermeer left no drawings, but in his "the artists in the studio," can see gray canvas outline very accurate sketch. The sketch, it is through the visual instrument, with the help of then turned to the canvas.
Johannes vermeer paintings is the other side of the mysterious and attractive appeal, lies in the cloud around the characters in his paintings. Vermeer through thin coating translucent color to light gray images and differentiation, to achieve the result of the fog. Differentiate area refers to keep small light area, make clear bright in other parts of the body, while small light around the area into gray tone, and without leaving any traces.
Johannes vermeer is one of the greatest master of color shades and create mist effect.
Vermeer palette of oil
Johannes vermeer palette oil painting has good fusion, and can guarantee the soft color edge, because the vermeer paintings are mostly small painting, so the color oil does not need to cover a large area of effect. Vermeer is basically done in just black and white and color images of polishing, but his color oil, need some kind of element can automatically every pen gently, and makes the colour nature fusion, without dry brush color, so the vermeer palette oil similar to Rubens, but add a lot of turpentine of Venice.
Used in the demonstration picture below, is the basic color variations of oil, its practices refer to "how to make suitable for copy of Rembrandt paintings toning oil". After insert the color mixing of oil in the palette, with toning point a few drops of Venice turpentine, mix them with a palette knife. Turpentine oil after toning oil, can be used as thinner, join in each color. When learning vermeer painting skills, bear in mind that use large amounts of Venice turpentine.
Vermeer painting skill demonstration
In most cases, Johannes vermeer in weaving good smooth bottom of canvas painting, occasionally also draw on the drawing board, of course, vermeer picture for very smooth, in order to show his skill a high level of accuracy, the canvas color is gray, which made him can be easily combined with light and color.
In the demonstration picture below, with 6.3 cm not heated mei sonner sketchpad. Preparation, acrylic base on the drawing board with two layer, each time with a brush in a different direction, and after each dry grinding, finally into a layer according to 1:1 proportion of acrylic hoof oil and acrylic base mixture, and reconcile with brown and black toner, formation of gray in the picture. Can be used after dry.
Demonstration of drawing steps
Johannes vermeer use camera obscura, first drawn object projection to gray canvas, then sketch out in white powder brush strokes of characters.
Draw a sketch, Johannes vermeer modified sketch in black and white out the gray. Vermeer every change a part of the characters, each part of the revised and integrating color, make people form full, soft color edge. Only black and white and dichromatic to modify finish each part.
The first part of the color after dry, beginning the second part, and use only black and white and dichromatic still. Vermeer painted with translucent white, gray to improve skin tone and brighter around objects, to be prepared for the next glazing. Because if the base of color is too dark, glazing effect will weaken and not obvious.
The third part began to picture glazing. Glazing, use oil paints and toning oil make translucent color, with a dry brush color.
Finally, vermeer use toning turpentine custom oil painting , color, and a drop of Venice out bright opaque color, the picture of the specular gloss. Turpentine soft highlights around the edges of Venice, produce a kind of color had already been with dry brush melts to feel. Through the above oil painting techniques, vermeer embody the cloud and edge effect of using the color depth.
Demonstration of color and brush
Part 1 and 2. Lead white, ivory and black. The third part: lead white, it's yellow, pale yellow, France shallow scarlet, red, brown, red ochre, ivory black, ultramarine blue.
Brush for 4, 5, 6 and 10 round head mane, 6 round head sable brushes and large flat mane brush color mixture, 12.7 cm flat ox hair blending brush.
1. Vermeer will draw directly with camera obscura projection on his drawing board or canvas. Demonstration, according to the first a few photos of the painting to draw sketch, and then in turn white chalk on the drawing boards.
2. Black, white, ivory, toning oil mix of gray, coated with light gray in the picture. Dark gray hair and ribbons. In the color gray shadow face and hat, choose the canvas color grey as the area of light color.
3. With the light of shallow light grey paint on the face area and background, and natural overlap around the characters on the hair and straw hat, form a subdued color edge.
4. Apply shallow light grey background, and makes some of the background light from other parts, then brush with large flat melange color.
5. With a small sable brush dips in all kinds of gray, painted face details.
6. According to the outline in cheekbone, oil painting chin and upper arms, bold painted white specular highlights.
7. Perspective with soft hair brush to mixed color highlights. Take small sable brush with white highlights the strong highlights of the cheeks, nose, and then repainted with dark gray face, nose, mouth detail place.
8. Fine painting figures in the grey hat and ribbon, pure white specular highlights for hats, ribbons, ivory black as the dark.
9. Other not spread on the canvas in grey color, in the shadow of the dark grey to join his arm, and modify the right position, make it longer, more forward movement. Then in the light area of the arm and hand in white, this step every pen along the contour of the form.
In figure 10. Cover silk, with a white area and the dark grey shades.
11. In the two small sable brush, a used to highlight color, a used in the shadows, in order to depict characters cover silk and rely on the headboard. Drawing boards under gray as the picture in hue, and in this section only ivory black and white. To complete the first part, with about six hours.
12. The second part, first half paste translucent white, gray coating on the first part, and make the colors displayed on the first part, then blend color, and modify the first part of specular highlights and shadow zone. In this step, it should be light in color, polishing to get good results lay the foundation for later. Finally, only black and white and dichromatic modify pictures, until he finished bottom of the gray tone, ending the second part. This part is similar to introduce titian techniques of painting.
13. The third part began to draw the background. To wipe the first gray painted a thin layer of color mixing of oil on the bottom, and then start behind the figures of background colors. This kind of colour should maintain a low light color, with it's yellow and toning oil paint to cover the silk by the characters, in the shadow of the below part add in khaki.
14. With large dry brush blend color on silk, and then use the same yellow and toning oil stain the hat to. Hat under the shadow of the use of yellow, brown and toning color oil, with dry brush after the completion of the colours of the hats for fusion. Hat ribbon with a group of green oil and toning color.
15. Use white, it's a mixture of yellow and toning oil out of opaque color on silk and hat specular highlights. Bai Sequn green and toning oil mixed color painted on the blue ribbon, performance design and specular highlights on the ribbon again. In toning oil used in the above, plus a little Venice turpentine oil, can make the specular highlights of the surrounding color dilution nature color, without the need to specialise in color.
16. Ripe red ochre, a mixture of red and toning oil to headboard glazing color, and color, a little red light to your wrist, and its background color.
1 7. In brown and toning oil to shade the face, neck, chest and hair color. Mixed with yellow, scarlet and toning oil color color the skin area, in harmony with a dry brush color, also in the cheeks and scarlet.
18. Will be in harmony after color, skin color with yellow and white out the specular light apply on the skin, lips with scarlet and bright red coloring, and add a few drops of white on the lip, the specular highlights. Draw the pattern of the pillow, and then with a little ivory black and toning oil color the picture four corners, and turn it into other color, end in the third section.
19. The fourth part will complete the whole picture. Wipe face and shoulders with the hand, the last on the scarlet, scarlet and toning oil. Again with ivory black and color oil to background, pillow and color the pictures at the four corners, and then to melt, and the color cloth to wipe the head light.
Johannes vermeer painting technique is very unique, almost like photography, when the cloud of light and people around is very vivid. Beginning is generally accepted that vermeer painting is by means of the mirror, and other visual tools, it can be said that vermeer is first photography method of depicting vividly realistic painter. Vermeer paintings do have a feeling of photography, as if through the lens can see all kinds of distortion, different angles and the isolation of the light. Vermeer use camera obscura projection transfer objects onto the canvas, he watched the object from the camera or object directly write by looking at the mirror. Vermeer left no drawings, but in his "the artists in the studio," can see gray canvas outline very accurate sketch. The sketch, it is through the visual instrument, with the help of then turned to the canvas.
Johannes vermeer paintings is the other side of the mysterious and attractive appeal, lies in the cloud around the characters in his paintings. Vermeer through thin coating translucent color to light gray images and differentiation, to achieve the result of the fog. Differentiate area refers to keep small light area, make clear bright in other parts of the body, while small light around the area into gray tone, and without leaving any traces.
Johannes vermeer is one of the greatest master of color shades and create mist effect.
Vermeer palette of oil
Johannes vermeer palette oil painting has good fusion, and can guarantee the soft color edge, because the vermeer paintings are mostly small painting, so the color oil does not need to cover a large area of effect. Vermeer is basically done in just black and white and color images of polishing, but his color oil, need some kind of element can automatically every pen gently, and makes the colour nature fusion, without dry brush color, so the vermeer palette oil similar to Rubens, but add a lot of turpentine of Venice.
Used in the demonstration picture below, is the basic color variations of oil, its practices refer to "how to make suitable for copy of Rembrandt paintings toning oil". After insert the color mixing of oil in the palette, with toning point a few drops of Venice turpentine, mix them with a palette knife. Turpentine oil after toning oil, can be used as thinner, join in each color. When learning vermeer painting skills, bear in mind that use large amounts of Venice turpentine.
Vermeer painting skill demonstration
In most cases, Johannes vermeer in weaving good smooth bottom of canvas painting, occasionally also draw on the drawing board, of course, vermeer picture for very smooth, in order to show his skill a high level of accuracy, the canvas color is gray, which made him can be easily combined with light and color.
In the demonstration picture below, with 6.3 cm not heated mei sonner sketchpad. Preparation, acrylic base on the drawing board with two layer, each time with a brush in a different direction, and after each dry grinding, finally into a layer according to 1:1 proportion of acrylic hoof oil and acrylic base mixture, and reconcile with brown and black toner, formation of gray in the picture. Can be used after dry.
Demonstration of drawing steps
Johannes vermeer use camera obscura, first drawn object projection to gray canvas, then sketch out in white powder brush strokes of characters.
Draw a sketch, Johannes vermeer modified sketch in black and white out the gray. Vermeer every change a part of the characters, each part of the revised and integrating color, make people form full, soft color edge. Only black and white and dichromatic to modify finish each part.
The first part of the color after dry, beginning the second part, and use only black and white and dichromatic still. Vermeer painted with translucent white, gray to improve skin tone and brighter around objects, to be prepared for the next glazing. Because if the base of color is too dark, glazing effect will weaken and not obvious.
The third part began to picture glazing. Glazing, use oil paints and toning oil make translucent color, with a dry brush color.
Finally, vermeer use toning turpentine custom oil painting , color, and a drop of Venice out bright opaque color, the picture of the specular gloss. Turpentine soft highlights around the edges of Venice, produce a kind of color had already been with dry brush melts to feel. Through the above oil painting techniques, vermeer embody the cloud and edge effect of using the color depth.
Demonstration of color and brush
Part 1 and 2. Lead white, ivory and black. The third part: lead white, it's yellow, pale yellow, France shallow scarlet, red, brown, red ochre, ivory black, ultramarine blue.
Brush for 4, 5, 6 and 10 round head mane, 6 round head sable brushes and large flat mane brush color mixture, 12.7 cm flat ox hair blending brush.
1. Vermeer will draw directly with camera obscura projection on his drawing board or canvas. Demonstration, according to the first a few photos of the painting to draw sketch, and then in turn white chalk on the drawing boards.
2. Black, white, ivory, toning oil mix of gray, coated with light gray in the picture. Dark gray hair and ribbons. In the color gray shadow face and hat, choose the canvas color grey as the area of light color.
3. With the light of shallow light grey paint on the face area and background, and natural overlap around the characters on the hair and straw hat, form a subdued color edge.
4. Apply shallow light grey background, and makes some of the background light from other parts, then brush with large flat melange color.
5. With a small sable brush dips in all kinds of gray, painted face details.
6. According to the outline in cheekbone, oil painting chin and upper arms, bold painted white specular highlights.
7. Perspective with soft hair brush to mixed color highlights. Take small sable brush with white highlights the strong highlights of the cheeks, nose, and then repainted with dark gray face, nose, mouth detail place.
8. Fine painting figures in the grey hat and ribbon, pure white specular highlights for hats, ribbons, ivory black as the dark.
9. Other not spread on the canvas in grey color, in the shadow of the dark grey to join his arm, and modify the right position, make it longer, more forward movement. Then in the light area of the arm and hand in white, this step every pen along the contour of the form.
In figure 10. Cover silk, with a white area and the dark grey shades.
11. In the two small sable brush, a used to highlight color, a used in the shadows, in order to depict characters cover silk and rely on the headboard. Drawing boards under gray as the picture in hue, and in this section only ivory black and white. To complete the first part, with about six hours.
12. The second part, first half paste translucent white, gray coating on the first part, and make the colors displayed on the first part, then blend color, and modify the first part of specular highlights and shadow zone. In this step, it should be light in color, polishing to get good results lay the foundation for later. Finally, only black and white and dichromatic modify pictures, until he finished bottom of the gray tone, ending the second part. This part is similar to introduce titian techniques of painting.
13. The third part began to draw the background. To wipe the first gray painted a thin layer of color mixing of oil on the bottom, and then start behind the figures of background colors. This kind of colour should maintain a low light color, with it's yellow and toning oil paint to cover the silk by the characters, in the shadow of the below part add in khaki.
14. With large dry brush blend color on silk, and then use the same yellow and toning oil stain the hat to. Hat under the shadow of the use of yellow, brown and toning color oil, with dry brush after the completion of the colours of the hats for fusion. Hat ribbon with a group of green oil and toning color.
15. Use white, it's a mixture of yellow and toning oil out of opaque color on silk and hat specular highlights. Bai Sequn green and toning oil mixed color painted on the blue ribbon, performance design and specular highlights on the ribbon again. In toning oil used in the above, plus a little Venice turpentine oil, can make the specular highlights of the surrounding color dilution nature color, without the need to specialise in color.
16. Ripe red ochre, a mixture of red and toning oil to headboard glazing color, and color, a little red light to your wrist, and its background color.
1 7. In brown and toning oil to shade the face, neck, chest and hair color. Mixed with yellow, scarlet and toning oil color color the skin area, in harmony with a dry brush color, also in the cheeks and scarlet.
18. Will be in harmony after color, skin color with yellow and white out the specular light apply on the skin, lips with scarlet and bright red coloring, and add a few drops of white on the lip, the specular highlights. Draw the pattern of the pillow, and then with a little ivory black and toning oil color the picture four corners, and turn it into other color, end in the third section.
19. The fourth part will complete the whole picture. Wipe face and shoulders with the hand, the last on the scarlet, scarlet and toning oil. Again with ivory black and color oil to background, pillow and color the pictures at the four corners, and then to melt, and the color cloth to wipe the head light.
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