In Yao Huifen and descendants WuJianAn and others, mainly puts forward the concept of "break through" the ancient artists, just hope after show change in the huts and create new "embroidery". This, too, is the fourth generation of yao huifen, who is a generation of "pin god" shen shou. Put behind stood at embroidery, looked at canvas in a line of nine hydrosphere approximation, but of stitch diverse, yicang (a public Yao Huifen is very mixed feelings embroidery for 40 years, told reporters, "this one is based on method of square embroidered needlework,oil painting reproductions with stitch is about seven or eight; another eight break radical, they never had to give priority to with flat knit stitch of the more than 40 extrapolate, in each of the pavilion with canvas, each stitch structure also is not strange. By comparison, can see clearly. Hope this kind of new embroidery words may lose only the target of the country's confession."
In addition to WuJianAn made the skull phantom play figure, Yao Huifen this also and Shang Na south division of the "sea of forgotten 20 paintings 2", and qiu zhijie help a set of 11 "jingwei", the independent needlework "Ma Yuan? Water figure" a group of 12 pieces, about 30 this picture at the Venice biennale of business hall, the most satisfactory Yao Huifen is the skull phantom play figure.
Report from our correspondent on April 30, country level of genetic oil bearing, gusu embroidered niang Yao Huifen and ancient artists WuJianAn mountain rain a set of eight of the skull phantom play figure after nearly 90 days of creation, released after all finished. On May 4, yao huifen will take this new work of the radical and ancient oil portrait art to Italy and exit the 57th Venice biennale.
The main theme of the Venice biennale is "art eternal life", and the theme of the Chinese pavilion is "relive". China pavilion by the local academy of experimental art, dean of the school of qiu zhijie really curators, he will lead a WuJianAn Shang Na south,Sandro Botticelli two lady artists and wang day and Yao Huifen two non genetic exhibition together.
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The ancient plate was not left in the contemporary art palace, which had been thought to be "China's whole heap" of hydrogen and oxygen. Qiu zhijie in international law suffered reporter responded that the "dialogue, is the foundation of holding hands. Prevent collisions with this life, responsory between old and new, the price is the inexhaustible can plan. Oil painting this is the place of Chinese art product thick receipt, this is also the exhibition interpretation to the kind of don't look at my desires."
Reporters enjoy, suzhou embroidery in the plain stitch passing more for style decorative clothing, quilt cover, recently has been gradually "the balance of the needle" instead of "disorderly needle", many square flat knit stitch more abandoned without oil agent. But in the skull phantom play figure, Yao Huifen exactly in the opposite direction,oil portrait will be the most conservative jersey stitch use spoon PingJu, boldly explore new wording "creation". To this, the provincial intangible a mansion zhao LuGang especially concerned about the dragon king office approval, "with the radical salute laughter square, is the art of intentional meaning. Any paintings of demand, such as can make better items to show the artist's thought, appear out of suzhou embroidery sample rare downtown intellect." (dong Chen)
Original title problem: original topic: the style of the old art of the ancient art of the ancient art of the ancient art.first painting axis of luo zhenyu. In 2013, the 12 territories art painting Beijing kuang-kuang painting news made a "knockout" for 59.80 million yuan.
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